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We take the disappointment gap personally.” Integrity comes into the equation when you’re able to look at the discrepancies between your expectations and reality and not cast yourself as the victim. When we allow a moment of honesty and look at the gap between our expectations and reality, all too often we find a place to identify as a victim. “Emotional injury is usually our own making,” he wrote, “Our ego fighting to selectively ignore reality that may not reflect our expectations. In a letter to fans announcing the album, frontman Jim Adkins penned a dreamlike, stream-of-consciousness explanation about what the phrase “integrity blues” means and what the album bearing that name is about. I can only hope it plays a similar role for other longtime supporters. highway drive, with the cold fall air pushing summer into memory and rain soaking the highway, took me back to when I first fell in love with Jimmy Eat World’s music. Indeed, Integrity Blues captures the crisp and cold fall atmosphere of Futures to such an extent that, on one of my first listens, I was convinced I was in my mid-teens again. It’s certainly the first album since Futures to revisit the moody late-night magic of the band’s heyday. The album, Jimmy Eat World’s ninth and their first since 2013’s Damage, might just be their best since 2004. That last bit could change with Integrity Blues. In the eyes of most, however, they also haven’t quite lived up to the magic of their breakout three-album run: 1999’s Clarity, 2001’s Bleed American, or 2004’s Futures. They’ve never released a bad album, unless you count their 1994 self-titled debut, which almost no one does. They are also, surprisingly, one of the most durable rock bands remaining, having survived a tumultuous 23 years of shifting trends, changing radio formats, out-of-touch labels, and collapsing music industry ideals. Jimmy Eat World, though known amongst many “outsiders” as one-hit wonders, have become one of the most beloved bands in their respective scene.
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Luckily for me, a lot of people get almost as emotional about this band as I do. Now I’m a 25-year-old adult and a lot of things have changed, but at least one thing is the same: every first listen to a new Jimmy Eat World album still feels like a capital E “Event.” As a 13-year-old in the fall of 2004, it’s possible that no event in my life, up to that point, had been quite as significant as hearing “Kill” for the first time and realizing just how much I could connect with a piece of music. So every time I put pen to paper to write about a new Jimmy Eat World album, I feel like I have to spend at least a few sentences discussing my own personal baggage. Without it, my life would be in a different place, and I would be a different person. The Arizona band’s 2004 masterpiece, Futures, was instrumental in getting me as invested in music as I am now. I will never be able to be objective about Jimmy Eat World, and that’s okay.